Nigerian singer, Habeeb Okikiola Badmus, popularly often called Moveable, has weighed in on the latest drama between Fuji star, King Wasiu Ayinde Marshal (KWAM 1) and his drummer, Kunle Ayanlowo.
The thrill began after a viral video surfaced displaying Ayanlowo accusing KWAM 1 of mistreatment in the course of the over 32 years he labored for him. In response, Moveable addressed the difficulty in a video that surfaced on-line on Monday, March 18, 2024, on social media.
The Tony Montana crooner questioned why Ayanlowo didn’t go away KWAM 1’s camp if he felt he was not benefiting after the primary yr. Moveable emphasised that KWAM 1, being a star blessed by God, mustn’t have his fame tarnished. He additionally defended KWAM 1’s observe of accumulating passports throughout worldwide excursions, citing safety considerations.
Moveable suggested Ayanlowo to point out respect to his boss and chorus from damaging his fame. He urged him to understand the chance to work with KWAM 1 and emphasised the significance of loyalty.
In his phrases, “You labored for somebody for a great 30-something years, while you didn’t see any profit for the reason that first yr why didn’t you allow? If he didn’t see any acquire there, he would have left. Don’t spoil any person else’s identify. K1 The Final is a star, God created him. You labored with him for over 30 years and also you’re saying you didn’t acquire something, why didn’t you allow for the reason that first yr and go and work for another person?”
“You have to be thanking God that you just didn’t die and that you just’re alive, later you’ll say your boss used you abi? Okay you don’t count on him to gather your passport in order that you’ll run away? K1 has taken a number of folks to journey that they might run away. Higher know what you’re doing and don’t spoil one other individual’s identify. Respect your boss in order that you’ll have breakthrough, loyalty move juju,” he added.
The assertion from Moveable provides a brand new dimension to the continuing controversy surrounding KWAM 1 and sheds gentle on the complexities of relationships inside the music trade.
